Hanging out to dry

The last few weeks have been a bit of a blur............ there's a chill in the air and people have started to think about knitwear again - I love this time of year!  I am preparing orders, knitting commissions and trying to think about my stand at the forthcoming Farnham Maltings fair at the end of November.  I've not done a fair before so this is new territory for me and I want to make sure I have products that will appeal to everyone at different price points.  For a long time now I have been thinking of ways I can use up my scraps of knitting - these tend to be pieces that have gone wrong, not felted evenly or fallen off the machine too early; all rather annoying scenarios.  The beauty of these little pieces of lightly felted lambswool is that I have them in abundance, they are delicious in colour and they are all completely original ...............so why not use them?!  Well I have.......read on! 

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This project was rather fiddly in nature but once I got going I remembered how much fun there is to be had in cutting and sticking.  

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It also meant I could use copious amounts of double sided sellotape a luxury denied in childhood due to the cost!  

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It's still all about knitwear.......... 

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and knitted bunting.  

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Cards! Washing lines with freshly laundered knitted outfits. These ones have just been stitched and await tying off. 

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I got quite carried away in the end and I still have a huge amount of scraps left so no doubt I will make more.  

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Here are the finished cards in their cellophane wrappers - it's amazing how a cellophane wrapper can transform a card!  

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Fronts and backs!  

So all these cards will be coming with me to the Farnham Maltings Fair on the 30th November and 1st December. Please do come and visit and say hello! 

 

P.s - did you notice I managed to do the whole of that blog post without mentioning the 'C' word?!  

Knitting on!

Last week life returned to normal and for most of the week my view was very much like this........ 

or like this.  

I'm not complaining as this is life as I love it best - the making. I was working on a private commission for a lady who had specific colours in mind and I enjoyed the challenge of making the colours work together in a way that appealed to me too.  I finished this wrap on Wednesday and tried really hard to photograph the finished piece 'on me' but the selfie style photos in front of the mirror just didn't do it justice so I'll have to make do with these work in progress shots. 

In other news having had little opportunity to make it out into the garden due to the heavy downpours, everything has grown enormously in just the past week! The self sown fox gloves are almost on their way out now but still provide lovely accents of colour and the dark leaves of the Sambucus Nigra showcase the delicate flowers so beautifully.  

No shortage of colour inspiration for the forthcoming weeks! 

A silver lining....

Last week I mentioned that in this blog post I would talk about my friend and tutor Kay Cosserat, unfortunately there a sad ending to this tale but there is also a 'silver lining' so keep reading to the end...............

Kay as a student at the Royal College of Art  

Kay as a student at the Royal College of Art  

As a student, Kay Cosserat (nee Macklam) attended Goldsmiths College London where she achieved a 1st class hons degree and then completed her MA at the Royal College of Art. Upon graduating from the RCA she set up her own business Cosserat Design Partnership in 1974 with her husband Christopher Cosserat whom she had met at the Royal College. Specialising in knitwear and well known for her beautiful colour choices, combinations and use of texture, Kay was quickly noticed for her ability to be creative and commercial.  In 1986 this was recognised and she became a Royal Designer for Industry.  She was always passionate about education and this lead her to have many, many roles within academic institutions across the country, St Martins school of art, the Royal College and Chelsea college of art to name just a few in London. 

Kay as I first met her.  

Kay as I first met her.  

I met Kay at Chelsea College of Art in 1997 where she became my tutor in the 2nd and 3rd years of my degree. As a tutor, Kay could be fairly terrifying and she certainly let you know if she didn't like something but all this aided in creating a healthy competition amongst her students and a real desire for her approval.  Kay's standards were always very high and she had an ability to see a glimmer of something promising in every student's work and draw it out into the most marvellous project.  Kay was a much loved tutor.

At the end of my course at Chelsea and with a lot of encouragement from Kay,  I applied for an MA place at the Royal College of Art. Although I was offered a place, without funds and much forethought about how I was going to finance myself through the 2 year course, I reluctantly had to turn the place down. Kay, always supportive, was quick to offer me a job for a year to raise money for my MA course and give me invaluable experience working within the textiles industry. A year later, with money in my pocket, I applied again to the RCA. I started my MA in 2000. 

This is where the story starts to sadden..............after returning from a holiday in Vietnam,  Kay complained of her back hurting. Further investigation revealed that she had breast cancer. Ever determined,  Kay carried on as much as possible and continued to be as supportive as ever to her students and dedicated to her business. During that year Kay put me forward for the coveted position of design assistant at Orla Kiely, Kay having taught Orla herself. Very sadly I had only been in that post for a week when Kay died in December 2003. 

A silver lining............before Kay died she set up a trust fund to help knitwear and knitted textile students at the Royal College of Art.  There are 5 trustees, of which I am one, and we award an amount to a promising RCA student who would have otherwise found it difficult financially to continue on the course. Every May/June I travel to the Royal College of Art and meet with the other trustees to look at the work of selected candidates and make a final decision about who will be awarded the money.  It is always a fantastic day where we meet dedicated, talented students and we reminisce about Kay in all her creative glory. 

Julia Pines, Matthew Cosserat and Mary Restieaux discussing student's work.

Julia Pines, Matthew Cosserat and Mary Restieaux discussing student's work.

This year was no exception, the students work was of a very high standard and they all remained passionate and positive despite hearing their heart-breaking financial stories of hardship. One student had five part time jobs and others admitted to having nearly £45,000 of debt! We saw 14 students in all and the decision of who to award to, was as always, so difficult to make. We awarded 2 scholarships this year, one to Matthew Duffy and the other to Rose Danford-Phillips, both very deserving knitwear candidates who showed us real talent, determination and passion in their work; all qualities Kay possessed. Keep your eyes out for these two names, we joked this year that all the Kay Cosserat Scholarship winners go on to be very successful!

Each year, as I walk away from this inspiring day of judging, it always delights me that even in Kay's absence, her dedication to both the textile industry and design education lives on through the students we see.